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The Last DJ keeps Petty out of the spotlight for good
By Mike Johnson
Staff Writer
Releasing The Last DJ may have been a last attempt
to stay in the spotlight made by veteran rocker Tom Petty. He seems to
have forgotten what it means to be an artist, despite several of the tracks
being superb in their quality.
The overall theme through at least seven of the twelve songs is an anger
that must have been festering in his belly for several years.
The rest of the songs give a glimpse into a wistful mind, almost in the
if I had it over to do again vein.
One that will stick out in listeners minds may be track number four,
Joe. It is powerful and portrays a fictional record company
executive that is more interested in making money for himself, rather
than the artist. Petty does score points for making Angel Whore
fit perfectly in the song.
In Blue Sunday, the singer meets a woman that appears to be
his soul mate and understands his needs. The undertone remains of mistakes
made during a life, possibly even signing away your life.
If Petty had released a charged album in which he blasted record company
CEOs, the fickle nature of musical competition, and the high rate at which
new rock musicians glow and fade away, for his second, third or fourth
album, it would have been believable. Now it feels like he is just whining.
Echo, his 1997 release was his first album that lacked
the wide support from the Warner Brothers recording label. It had more
gusto and feeling than The Last DJ.
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